What Makes Great Entrance Muisc
by, 05-08-2011 at 08:23 PM (7122 Views)
Lets face it people, in the mainstream area of wrestling, a wrestlers theme music is just as important as the character itself, if not more.
Tt harolds their coming, it signals defeat for their opponent in the eyes of that wrestlers fans, and it for the most part, helps add to the gimmick.
There are some theme songs people just consider bad, and often, for good reason, so i decided, why don't we see just what it is that makes theme music great. so without further adue (sp?) lets get this show, on the road.
What makes good theme music:
1: the opening, this is most likely the most important part, the first 3 seconds should be able to catch the audience, they need to be able to recognize right away who's coming out. the most powerful example of this would probably be the miz's theme, or any theme that starts with a powerful shout or word.
2: the beat has to not only be catchy, but should be good enough to, at times, time taunts with the music, this is most often seen with triple H, in which he times when he goes up to spit out his water with that powerful bit of his theme, almost every single time.
3: if its not an instrumental, the singer has to have the kind of voice that isn't to generic, nowadays we see a lot of bands with singers that sound exactly, the bloody, same. when rev theory first started for instance, they sounded, for the most part, unique, now almost every band sounds the same. think back, what made bands like motorhead, saliva, metallica, all unique and interesting?
What makes a bad theme song:
1: generic, as in, you swear you've heard the same bloody chorus beat in 30 other songs, this reeeaaally kills the theme.
2: song doesn't fit the wrestler, we've all seen it before, its a great song but it just does not work with the wrestler who's using it. to name a few, Jeff Jarretts old theme from WWE should have been used by a really goofy idiot, and while sometimes Jarrett fits that perfectly, it just didn't fit him.
3: overworking your music developer by always having him write all the songs. this should be obvious what i'm talking about, Dale Oliver and Jim Johnson, eventually, all the songs just seem to start bleeding together for each new one.
Thanks for reading!